What is Cullen saying in Yet Do I Marvel?

“Yet Do I Marvel” is a sonnet by the American poet Countee Cullen, published in his 1925 collection Color. In the poem’s final couplet, the speaker relates this idea to his own circumstances, asking why God would make a Black man a poet in a time of extreme racial prejudice.

Why does Countee Cullen incorporate mythological allusions in his poem?

By Countee Cullen Cullen references Greek mythology to reinforce his education and talent as a poet. He’s showing us he can write just as well as a white poet, so surely, he deserves to be heard. Lines 7-8: Greek reference numero dos. Cullen brings in Sisyphus, the guy forever rolling a large boulder uphill.

What is the structure of yet do I marvel?

Like all sonnets, “Yet Do I Marvel” is a fourteen-line poem written in iambic pentameter. Its seven rhymes are arranged in two quatrains, abab and cdcd, and one sextet eeffgg.

What is the tone of the poem Yet Do I Marvel?

However, in the last two lines, Cullen’s tone shifts, introduced by the transition “Yet do I marvel.” His tone at this point is heavy with frustration and the irony of his situation as a talented black poet.

What curious thing does Countee Cullen marvel at in his poem Yet Do I Marvel?

Yet do I marvel at this curious thing: To make a poet black, and bid him sing!

What is the meaning of from the Dark Tower by Countee Cullen?

The poem “From the Dark Tower” is about african-americans not forever being used as or like slaves. Cullen is expressing that african-americans will not stay quite under oppression. In the poem they haven’t yet rose up against slavery or racism, but they are about to and are hiding their anger while they suffer.

What is brute caprice?

caprice. a sudden desire. If merely brute caprice dooms Sisyphus. To struggle up a never-ending stair.

What is a fickle fruit?

Notice our speaker calls the fruit “fickle,” which sounds like a fruit that’s changing its mind all the time. “Fickle” is sort of like “quibble” and “doubt” in the first two lines, so it seems like we’re getting a recurring theme of uncertainty in the poem.

What is Cullen’s attitude toward God in the beginning?

Cullen starts off by describing God in conventional terms as “good, well-meaning, kind,” but then progresses to question God. He states that he realizes that, as a human, he is like a blind mole who simply doesn’t have the capacity to understand God’s “inscrutable” ways.

What were Countee Cullen’s poems about?

Cullen’s treatment of death in his writing was shaped by his early encounters with the deaths of his parents, brother, and grandmother, as well as by a premonition of his own premature demise. Running through his poems are a sense of the brevity of life and a romantic craving for the surcease of death.

When was the Dark Tower written Countee Cullen?

Countee Cullen published “From the Dark Tower” in 1927 in his second collection of poems, Copper Sun. The poem is a sonnet that focuses on the injustices of racism, as the speaker notes that white people deprive Black people of the fruits of their labor.

What does the title of From the Dark Tower suggest about the poem?

“From the Dark Tower” by Countee Cullen The poem describes the situation in which the speaker and those like him are expected to plant while others reap. They do not gain any benefit for their work. The speaker suggests it will not always be this way.

When was yet do I marvel by Countee Cullen written?

Countee Cullen’s poem “Yet Do I Marvel” is a sonnet written in 1925, right in the middle of an era that was known then as the “New Negro Movement”. Today we call this movement the Harlem Renaissance.

What is the meaning of the poem ‘Yet do I Marvel’?

A LitCharts expert can help. “Yet Do I Marvel” is a sonnet by the American poet Countee Cullen, published in his 1925 collection Color. This poem grapples with an ancient question: why would a good and loving God allow so much suffering in the world?

Why does Cullen use quatrains in the poem?

The quatrains seem to flow seamlessly into the closing couplet (the last two lines), yet the poem in itself was written in a manner to reflect the speaker’s sense of confusion in regards to the choices made by God. Cullen uses a literary term called enjambment, which is the use of run-on lines in poetry.